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In a recent interview, journalist and tenured professor Nikole Hannah-Jones said, “Trying to really silence me at the [University of North Carolina] is part of a wave of these anti-1619 Project, anti-critical race theory, anti-history bills that are being passed.”
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How Nikole Hannah-Jones’ 1619 Project ignited the critical race theory backlash

A blaze of conservative backlash ignited in 2019 when The New York Times published The 1619 Project and Nikole Hannah-Jones’ opening commentary. Conservative critics fueled heated debates on the role of critical race theory in the classroom and, more recently, the journalist’s tenure battle with the University of North Carolina at Chapel Hill. Today, critical race theory – or the study of how racism shapes laws, policies, and society – is familiar to most and, so too, is the debate about how race factors into the teaching of American history.

Chalkbeat has tracked at least 27 state-level efforts attempting to restrict educators from discussing systemic racism, critical race theory, and The 1619 Project. The bans and political pressure affect millions of students, educators, and administrators nationwide by inhibiting classroom conversations on racial injustice. To chronicle how Hannah-Jones’ work and tenure controversy contributed to this transformational moment in history education and educational policy, Chalkbeat has created a timeline of key events.

Correction: A previous version of this story reported that John William Pope Foundation Chairman Art Pope played a role in initially withholding tenure from Hannah-Jones. A representative for Pope said he had no involvement in the decision.

A copy of the 1619 Project edition of The New York Times Magazine.
The New York Times launched the 1619 Project in August 2019, 400 years after the first enslaved Africans landed near Hampton, Va.
Chicago Tribune / TNS via Getty Images

Aug. 2019

The New York Times launches The 1619 Project, the brainchild of Hannah-Jones, a veteran journalist and recipient of the John D. and Catherine T. MacArthur Foundation “genius grant.” The series of articles and columns commemorates the date 400 years ago when about two dozen enslaved Africans disembarked near Kikotan or Point Comfort, today located in Hampton, Virginia. According to the series, their arrival in 1619 represents the expansion of American slavery and the “founding contradictions” of U.S. colonial history. Three months later, Hannah-Jones wins the Distinguished Alumna Award from the University of North Carolina at Chapel Hill.

Dec. 2019

The New York Times publishes a letter from five historians denouncing what they called a “misleading” project and noting the newspaper’s plan to distribute the series to schools. That same month, the Pulitzer Center, an educational outreach organization that promotes democracy through journalism, releases its annual report, which details the successful educational partnership between The Center and The 1619 Project. The report states that thousands of educators in every state used the provided lesson plans. It adds, “Five school systems adopted the project district-wide: Buffalo, New York; Chicago; Washington, DC; Wilmington, Delaware; and Winston-Salem, North Carolina.”

Nikole Hannah-Jones, wearing maroon and black graduation attire, sits on a stage during a Morehouse College commencement.
Nikole Hannah-Jones won the Pulitzer Prize for Commentary, recognized for the introductory essay that set the stage for the 1619 Project.
Marcus Ingram / Getty Images

May 2020

Hannah-Jones wins the Pulitzer Prize for Commentary. In its citation, the committee recognized Hannah-Jones for her stage-setting essay “which seeks to place the enslavement of Africans at the center of America’s story, prompting public conversation about the nation’s founding and evolution.” Days later, the world watches as white police officer Derek Chauvin murders black Minneapolis resident George Floyd. The incident leads to days of racial unrest, which Hannah-Jones chronicles through the lens of critical race theory in her column, “What is Owed.”

A retweet from former President Donald J. Trump. The original tweet from user “Ocitman” reads, “california has implemented the 1619 project into the public schools, soon you wont recognize america,” with Trump responding, “Department of Education is looking at this. If so, they will not be funded!”
A tweet from former President Donald Trump denounces the teaching of The 1619 Project in schools, announcing that funding would be cut by the Department of Education in schools that taught the project as part of their curriculum.
Screenshot courtesy of Twitter

Sept. 2020

The Trump Administration takes several actions to curtail the use of The 1619 Project and critical race theory in public institutions. On Sept. 4, the administration issues a memo to the heads of federal agencies directing them to cease all training on “ ‘critical race theory,’ ‘white privilege,’ or any other training or propaganda effort.” On Sept. 6, President Donald Trump tweets that any school using The 1619 Project “will not be funded!” On Sept. 17, at the White House Conference on American History, Trump announces the formation of the 1776 Commission. During his speech, he says, “critical race theory, The 1619 Project, and the crusade against American history is toxic propaganda.” And on Sept. 22, he issues his “Executive Order on Combating Race and Sex Stereotyping.” The wave of legislation banning critical race theory and The 1619 Project in public schools uses much of the same language found in this executive order.

A rioter holds a tattered, upside-down United States flag alongside several other Trump supporters during the attempted insurrection of the United States Capitol on January 6, 2021.
On January 6, 2021, Trump supporters violently stormed the United States Capitol building in an attempt to overturn the results of the 2020 election. The rioters followed the false claims that the election was rigged in favor of now-President Joe Biden.
Brent Stirton / Getty Images

Jan. 2021

On Jan. 6, Trump supporters storm the U.S. Capitol, falsely claiming that state election officials rigged voting results to guarantee then-President-elect Joe Biden’s victory. In his final days in office, Trump’s controversial 1776 Commission releases its report. In a press release, Trump describes the report as “a dispositive rebuttal of reckless “re-education” attempts that seek to reframe American history around the idea that the United States is not an exceptional country but an evil one.”

Feb. 2021

Fox News reports that the Legal Insurrection Foundation of Rhode Island has launched criticalrace.org, a website that tracks alleged uses of critical race theory and The 1619 Project in the classroom. Later that month, the Pulitzer Center launches The 1619 Project Educational Network. Educators selected for the inaugural cohort receive $5,000 grants to help fund podcasts and other creative projects that incorporate The New York Times series. By February, Republican lawmakers in Iowa, Georgia, and Arkansas have filed bills to block the use of The 1619 Project and critical race theory in the classroom. This year, Chalkbeat has tracked at least 27 state-level efforts attempting to restrict educators from using critical race theory and The 1619 Project.

Then-President Donald Trump watches Tennessee Governor Bill Lee as he addresses the media at the White House. Lee makes remarks at a podium adorned with the Presidential Seal as six United States flags sit against a gold curtain in the background.
Several states have proposed and, in some cases, passed legislation banning the instruction of Critical Race Theory in classrooms. Tennessee Governor Bill Lee (right) signed one of these bills into law on May 25, 2021.
Mandel Ngan / AFP via Getty Images

April 2021

The Biden administration announces the creation of the American History and Civics Education grants to promote “culturally responsive teaching.” And on April 26, the University of North Carolina at Chapel Hill announces that Hannah-Jones would join the university as the first African American to hold the Knight Chair in Race and Investigative Journalism, a position historically held by a tenured faculty member.

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May 2021

Three weeks after the announcement and following the conservative backlash surrounding it, NC Policy Watch reports that trustees voted earlier to deny Hannah-Jones tenure, a status that grants faculty members substantial job security and academic freedom. Among those objecting to Hannah-Jones joining UNC were writers for the James G. Martin Center for Academic Renewal. The conservative think tank was formerly named the John W. Pope Center for Higher Education Policy and funded by the Pope family. Pope formerly served on the UNC Board of Trustees. Son and conservative donor Art Pope currently serves on the UNC Board of Governors. Art Pope denies any involvement in the tenure decision.

Students walk past the UNC Student Stores on the Chapel Hill campus of the University of North Carolina.
The Board of Trustees initially withheld a tenured position, the Knight Chair in Race and Investigative Journalism, to Nikole Hannah-Jones. Although they eventually offered Hannah-Jones tenure after significant public outcry, she declined the offer from UNC and accepted a similar position at Howard University in Washington, D.C.
Melissa Sue Gerrits / Getty Images

June 2021

Following public outcry and student demonstrations, the UNC board changes course and approves Hannah-Jones’ tenure application in a 9-4 vote.

July 2021

Hannah-Jones declines the tenured position at the University of North Carolina and announces that she will instead join Howard University, a historically black institution, in a tenured position as the inaugural Knight Chair in Race and Reporting. In a July 7 interview on CNN, she says, “Trying to really silence me at the [University of North Carolina] is part of a wave of these anti-1619 Project, anti-critical race theory, anti-history bills that are being passed. And they’re being passed in the same legislatures that are also passing voter suppression laws, so these two things are going hand-in-hand.”

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